German, 1803-1884 German painter, printmaker and illustrator. He ranks with Moritz von Schwind as the most important representative of late Romantic painting and printmaking in Germany. In contrast to the work of such leading masters of early Romanticism as Philipp Otto Runge and Caspar David Friedrich, which was ambitious in content and innovative in form, Richter's art was more modest in its aims, in line with the restrained intellectual climate of the Biedermeier period.   Related Paintings of Adrian Ludwig Richter :. | Pool in the Riesengebirge | The Schreckenstein Crossing | Details of The Schreckenstein Crossing | Genoveva in the Forest Seclusion | Crossing at the Schreckenstein (mk22) |
Related Artists:
Martin, Henri
French Post-Impressionist Painter, 1860-1943 French painter. After winning the Grand Prix at the Ecole des Beaux-Arts in Toulouse, he moved to Paris (1879) to study at the Ecole des Beaux-Arts there under Jean-Paul Laurens, who encouraged his interest in Veronese and other Venetian painters. The literary inspiration of his early work was reflected in such paintings as Paolo de Malatesta and Francesca da Rimini in Hell (1883; Carcassonne, Mus. B.-A.) based on Dante, for which he won a medal at the Salon of 1883. During his subsequent study in Rome, however, on a fellowship awarded to him at the Salon,
August Ludwig Erhard Boll
painted Blick auf den Genfer See in 1852
Nagy, Sandor
Hungarian, 1869-1950